In Translation show at ACAC through March 8th

One of the three artists in this show at the Contemporary is:

Nathan Sharratt uses ink-jet plotters and 3-D modeling software to examine the route from intention to outcome. He has recently read Mary Shelley’s Frankenstein, a creation story that combines flesh and fantasy, as well as morality; he found the 1816 text relevant to his productions and a notion of the “studio as lab.” Sharratt regularly moves from computer screen to printer to wall and tabletop, where he can track the evolution of a range of printed and sculptural works that start with his own face and body, and quickly become new information systems.